I must confess that even though dance is recognized by the public more as a form of "performing art," for me, it is actually a consciousness-building "training"(not a practice); I see it as a "philosophical discipline." It nurtures the brain, mind, mindset, spirit, and enhances my senses. I have a heightened awareness of the ambient space, natural organisms and environments, and the voices of the world. It cultivates a passionate, egalitarian and empathetic world, freeing me from feeling incomplete in life. 

 

What I do is respond and be proactively intervene by my ART works. I have countless doubts, reflections, and perspectives that find their fullest expression through video, imagery, sound, and movement, oscillating between fragmentation, intensity, and gentleness. I am passionate about colliding with different mediums, thus allowing everything to naturally and uncontrollably manifest in my designs. I thrive on challenges, grappling with evasion, confusion, and reconstruction make me feel the heavy and texture of human being’s lives. Continuously, I ponder the reasons behind these experiences, and then indulge, lose, hold, and aim for my objectives with my ‘body’.

 

My understanding of performance and creation are both different and somewhat similar. As a director/choreographer, I seek a state of authenticity in which one is either trained or able to pretend to be authentic. Particularly when detached from the physical yet demonstrating genuine emotions, the ambiance transcends; I am iteratively updated, and the audience resonates. As a dancer, I prefer my works to be grounded in my personal understanding rather than striving for perfect movements’ shape and textures. I am a very strong and sensitive improviser, my talent shines through improvisation. Listening to others and making decisions in the moment are key elements in my work.

 

 I was surrounded by fleeting feelings of loneliness, intimacy, alienation, and the artificial restraints of false formalism. I have always been obsessed with painting, architecture, lighting, scents, colors, reflections, fabrics, and rainwater. I delight in responding to their presence and being affected by their hazy influence. Throughout, I navigate with a sense of openness, timeliness, reversals, evasions, and reconstruction.